CURRICULUM VITAE


PROFESSIONAL

1983-present Professor and Chair (2012-2016, 2000-2005, and 1994-1997), Department of Fiber and Material Studies, The School of the Art Institute of Chicago, IL
2008-2011 Interim Dean of Undergraduate Studies, The School of the Art Institute of Chicago, IL
2006-2008 Undergraduate Division Chair, The School of the Art Institute of Chicago, IL
1980-1982 Artist in Residence and Chair, Fiber Department, Cranbrook Academy of Art, MI
1976-1980 Assistant Professor and Chair, Fiber Department, The Kansas City Art Institute, MO

EDUCATION

1974 M.F.A., Cranbrook Academy of Art, Bloomfield Hills, MI
1972 B.A., Portland State University, OR
1966-1967 Beloit College, WI

FELLOWSHIPS / GRANTS / AWARDS

Chairman’s Award, The School of the Art Institute of Chicago, 2014

Wilson/Livingstone Graduate Merit Scholarship, Department of Fiber and Material Studies, The School of the Art Institute of Chicago (established in 2014 by Gail Hodges)

Faculty Enrichment Grant, The School of the Art Institute of Chicago 2011, 2001, 1999, 1997, 1994, 1989, 1988, 1984

Illinois Arts Council Artist Fellowship, 2000, 1989, 1986

Virginia A. Groot Foundation, Illinois, Individual Artist Fellowship, 1998

National Endowment for the Arts, Individual Artist Fellowship, 1992, 1986, 1979

The George A. and Eliza Gardner Howard Foundation Artist Fellowship, Brown University, RI, 1990

The Louis Comfort Tiffany Foundation Artist Fellowship (catalog), 1989

SELECTED SOLO EXHIBITIONS

2015
Oddment[s], John Michael Kohler Arts Center, Sheboygan, WI (on-line catalog: http://www.jmkac.org/images/stories/Exhibitions/Textiles/Toward%20Textile%20Publication.pdf) Marvels & Oddment[s], Clough Hanson Gallery, Rhodes College, Memphis, TN (brochure)

2012
While Walking, Sullivan Galleries, The School of the Art Institute of Chicago, IL

2006-2007
Membranes•Margins•Disruptions, Fosdick Nelson Gallery, Alfred, NY; traveling to Dorothy Uber Bryan Gallery, Bowling Green State University, Ohio and Jack Olson Gallery, Northern Illinois University, DeKalb

2005
Re/Locations, mn gallery, Chicago, IL
Borderlines, Roy Boyd Gallery, Chicago, IL

2004
Migrations, The Laura Russo Gallery, Portland, OR

2001
Joan Livingstone, The Laura Russo Gallery, Portland, OR
Jane Lackey/Joan Livingstone, Roy Boyd Gallery, Chicago, IL

2000
variable quantities, Sybaris Gallery, Royal Oak, MI

1998
Limits of Capacity, Dennos Museum Center, Traverse City, MI

1997
resistSTANCEs, Sybaris Gallery, Royal Oak, MI
Joan Livingstone: Sculpture, Prints, and Collages, 1990-1997, Jack Olson Gallery, NIU Art Museum, Northern Illinois University, DeKalb, IL (
Joan Livingstone: Sculpture, Roy Boyd Gallery, Chicago, IL

1995
Joan Livingstone: Recent Sculpture, Laura Russo Gallery, Portland, OR Joan Livingstone, Roy Boyd Gallery, Chicago, IL

1994
Joan Livingstone: Sculpture, Sybaris Gallery, Royal Oak, MI

1992
Joan Livingstone, Sybaris Gallery, Royal Oak, MI
Joan Livingstone, Roy Boyd Gallery, Chicago, IL
Organic Sensibilities, The Center Galleries, Center for Creative Studies, Detroit, MI

1990
New Sculpture, Artemisia Gallery, Chicago, IL

1986
Recent Sculpture and Collage, Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA

1982
Dante’s First Curtain, Ferris State College, MI and Marygrove College, Detroit, MI

1980
Lamia Lemures, Hadler-Rodriguez Gallery, New York, NY and
Lamia Lemures, The Kemper Gallery, The Kansas City Art Institute, MO
Beyond Tapestry, The University of Iowa Museum of Art, Iowa City, IA

1977
Recent Work, Hadler-Rodriguez Gallery, New York, NY

SELECTED GROUP EXHIBITIONS

2016
A Global View: Recent Acquisitions of Textiles, 2012-2016, Art Institute of Chicago, IL

2015
Sensations that Announce the Future, Evergreen art Gallery, Evergreen State College, Olympia, WA

2014
Craft Matters, Schick Art Gallery, Skidmore College, Saratoga Springs, NY

2012
Innovators and Legends, Muskegon Museum of Art, MI
Faculty Projects, Sullivan Galleries, School of the Art Institute of Chicago, IL
Fiber Philadelphia: Esteemed Educators, The Gray Area, Crane Arts Building, Philadelphia, PA

2011
Art Chicago, annual representation since 2001 with Roy Boyd Gallery

2010
Process in Product: Work from Summer Studio, Sullivan Galleries, The School of the Art Institute of Chicago, IL

2007
Hot House, Cranbrook Academy of Art Museum, Bloomfield Hills, MI
re/novations, Track House@Next, Chicago, IL

2006
Takeover, site-specific installation at the Hyde Park Art Center, Chicago, IL
Material Difference, Chicago Cultural Center, IL

2004
Installation: Tokyo–Chicago–New York, Tokyo Gei Dai Museum, Japan
Turning Home, Track House, Oak Park, IL
Soft Edge, Museum of Contemporary Art, Chicago, IL

2003
Kanazawa World Craft Forum, Kanazawa Museum of Art, Japan
New Acquisitions, Metropolitan Museum of Art, New York, NY
Inaugural Exhibition, Racine Art Museum, WI

2002
In the Material World, curated by John Brunetti, Evanston Art Center, Evanston, IL

2001
The Breath of Nature: Invitational, Cheongju International Bienniale, Cheongju, Korea

1999
Embodiment, Arkansas Art Center, Little Rock, AR

1998
Assemblage, Center Galleries, Center for Creative Studies, Detroit, MI

1996
Contemporary Work, Rockford Museum of Art, Rockford, IL

1995
Chicago Prints, Shinsegae Gallery, Seoul, South Korea (catalog)
National Objects Invitational, Arkansas Art Center, Little Rock, AR

1994
Fabricated Nature, Boise Museum of Art, ID

1993
Another View, University Art Gallery, University of Massachusetts, Dartmouth, MA
State of the Art, Loveland Museum of Art, Loveland, CO
A Sequence of Forms: Sculpture of Illinois Artists, Chicago Cultural Center

1992
Few and Far Between, Rockford Art Museum, IL
Artful Nature, Evanston Art Center, IL
International Contemporary Fiber Art, Now, Sonje Museum of Contemporary Art, South Korea

1991
New Acquisitions: The MCA Collects, Museum of Contemporary Art, Chicago, IL
Contemporary Works in Felt, School of Art Gallery, Kent State University, OH and Western Carolina University, NC
New Ends, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY

1990
The Chicago Show, The Chicago Cultural Center, IL
Crossovers, The Gallery of Contemporary Art, University of Colorado at Colorado Springs, CO
USA/Colombia: Fibers, Florida State University Gallery and Museum, Tallahassee, FL, traveling to Bogota, Medellin, Barranquilla, Cali, Bucaramanga, Colombia, S.A.

1989
Armor: Seven Chicago Sculptors, Randolph Street Gallery, Chicago, IL
Mesh: Five Chicago Sculptors, Foster Gallery, Fine Arts Center, U. of Wisconsin, Eau Claire, WI

1988
Imagining Form: Six Sculptors, State of Illinois Gallery, Chicago, IL

1987
The Matter of Sculpture, Bowling Green State University Gallery, OH

1985
Sculpture Textile, l2th Biennale Internationale de la Tapissierie, Musee Cantonal des Beaux-Arts, Palais de Rumine, Lausanne, Switzerland

1984
American Fiber: A New Aesthetic, Diverse Works, Houston, TX
Fiber Crosscurrents, John Michael Kohler Arts Center, Sheboygan, WI

1982
Cloth Forms, Dayton Art Institute, OH
Dimensions: Felt, Charles and Emma Frye Art Museum, Seattle, WA
Fiber Directions, Brunnier Gallery, Iowa State University, Ames, IA

1981
Fiber in Collusion, The Banff Center Gallery, Banff, Alberta, Canada and the University of North Dakota Art Galleries, Grand Forks, ND
Old Traditions–New Directions, The Textile Museum, Washington, DC

1980
Cranbrook Fiber: Knodel, Livingstone, Saarinen, Cranbrook Academy of Art Museum, MI
Felting, The American Craft Museum, New York, NY
American Fiber Art: A New Definition, Sarah Campbell Blaffer Gallery, University of Houston, TX

ARTISTS BOOKS AND PRINTS

2015
passages, inkjet on vellum, 24 pages, produced to accompany the project, oddment[s], John Michael Kohler Art Center, Sheboygan, WI, February 15-September 27

2012
dailies, Vol I: 4-8, 2011 (342 pages) and Vol. II: 9-12, 2011 (288 pages), newspaper on abaca, flax and cotton hand-made paper, bound the cup of tea is real, sahyadri organic tea on Fabriano paper, 180 pages, bound before/after, newspaper on Fabriano paper, 92 pages, bound

2010
Contingent Residues, boxed, limited edition of photographic etchings and archival inkjet prints; in collaboration with Katarina Weslien; produced at The School of the Art Institute of Chicago, IL

1999
Vented Experiences, suite of iris prints, Joan Livingstone Studio, Chicago, IL

1995
Widgets and Jiggers, suite of photographic etchings produced at Vinalhaven Press, Vinalhaven, ME and Galamander Press, New York, NY

1989
Scraps, suite of monoprints produced at The School of The Art Institute of Chicago, IL

1988
Shades, suite of monoprints produced at the State University of New York, Alfred

1981
Artifacts, a limited edition boxed suite of original pages by 50 contemporary artists, published and edited by Stephen Watson, New York, NY

SELECTED PUBLIC COLLECTIONS

The Art Institute of Chicago, Illinois
Boise Museum of Art, Idaho
The Contemporary Museum, Honolulu, Hawaii
Cranbrook Academy of Art Museum, Bloomfield Hills, Michigan
Dennos Museum Center, Traverse City, Michigan
Detroit Institute of Arts Museum, Detroit, Michigan
Metropolitan Museum of Art, New York, New York
Museum of Contemporary Art, Chicago, Illinois
Museum of Contemporary Craft, Portland, Oregon
Northern Illinois University Art Museum, DeKalb, Illinois
Racine Art Museum, Racine, Wisconsin
Portland Art Museum, Portland, Oregon
Robert L. Pfannebecker Collection, Lancaster, Pennsylvania

NUMEROUS PRIVATE COLLECTIONS

SELECTED PUBLICATIONS AND REVIEWS

2015
Susan Snodgrass, “Toward Textiles,” Textile: Cloth and Culture, Vol. 13, Issue 3, pp. 306-313 (http://dx.doi.org/10.1080/14759756.2015.1102489).
Joel Parsons, marvels & oddment[s], Clough-Hanson Gallery, Rhodes College, Memphis, TN (exhibition catalog).
Eileen Townsend, Joan Livingstone’s “Marvels and Oddments,” Memphis Flyer, November 23, 2015.
Karen Patterson, “Joan Livingstone: Oddment[s],” Toward Textiles (on-line catalog), John Michael Kohler Arts Center, Sheboygan, WI (http://www.jmkac.org/images/stories/Exhibitions/Textiles/Toward%20Textile%20Publication.pdf).

2011
Nadine Fiedler, “Joan Livingstone: Artist and Art Educator,” The Caller, Summer, Portland, OR.

2010
Janet Koplos, Bruce Metcalf, eds., Makers, Chapel Hill, NC: The University of North Carolina Press, pp, 428-429.

2008
Polly Ulrich, “Corporeal Dynamics,” Surface Design Journal, Vol. 32, No. 2, Winter, pp. 26-31.

2007
Joan Livingstone, John Ploof, eds., The Object of Labor: Critical Perspectives on Art, Cloth, and Cultural Production, Boston: MIT and Chicago: SAIC Press.
Grace Glueck, “Fun with Studio Crafts: When the traditional gets quirky,” New York Times Art Review, Friday, January 12, 2007.
Mary Gustaitis-Beyer, “Turning Home at Trackhouse,” ArtBlog, June.
Shannon Stratton, “Migrations,” Laura Russo Gallery, Portland, OR.

2006
Membranes•Margins•Disruptions (exhibition catalog: essays by Judith Leemann, Shannon Stratton; Sharon McConnell, curator), Alfred, NY: Fosdick-Nelson Gallery, School of Art and Design, Alfred University.

2003
Victor Cassidy, “Focus: Joan Livingstone,” Sculpture Magazine, April.
Marsha Miro, “Review: Joan Livingstone,” Art in America, January.
Sunita Patterson. “Is Fiber’s Foundation Firm?” Fiberarts Magazine, Vol. 30, No. 2, Sept/Oct.

2002
Gerry Craig, James Elkins, James Yood, Portfolio Collection Vol 10: Joan Livingstone, Winchester, England: Telos Art Publishing.
John Brunetti, In The Material World, exhibition catalog, Evanston Art Center, IL.

2001
Otto G. Ocvrik … [et al], Art Fundamentals: Theory & Practice, Ninth Edition (NY:McGraw-Hill) p. 224
Ruth Lopez, “Livingstone’s Body of Work,” Chicago Tribune, December 30 .

2000
Jenny Sorkin, “Jane Lackey/Joan Livingstone,” New Art Examiner.
Polly Ullrich, “Jane Lackey/Joan Livingstone,” American Craft Magazine, Spring.

1999
James Elkins, Pictures of the Body: Pain and Metamorphosis, CA: Stanford University Press, pp. 148-149.

1998
Gerry Craig, “Reviews: Joan Livingstone,” Sculpture, Vol. 17, No. 7, September.
Jaqueline Shinners, Limits of Capacity, exhibition catalog, Dennos Museum Center, Traverse City, MI.
Gerry Craig, “Reviews: resistSTANCEs,” Fiberarts Magazine, Vol. 25, No. 1, Summer.
Mark Newport, “The Masculine in Fiber,” Surface Design Journal, Vol. 22, No. 3, Spring.

1997
Joyce Fernandes, Joan Livingstone, exhibition catalog, Northern Illinois University Art Museum, DeKalb, IL.

1996
Joan Livingstone and Anne Wilson, The Presence of Touch, exhibition catalog, SAIC Galleries, The School of the Art Institute of Chicago, IL.

1995
Gerry Craig, “Imagination and Sensation,” Fiberarts Magazine, Vol. 22, No. 3, Nov/Dec.
Mark Newport, “Points of View,” Fiberarts Magazine, Vol. 21, No. 4, Jan/Feb.

1994
Layne Goldsmith, “On Marking Progress in Creative Discovery,” Surface Design Journal, Vol 19, No 1 Fall.
Sandy Harthorn, Fabricated Nature, exhibition catalog, Boise Museum of Art, ID.

1993
Dennis Adrian, “Joan Livingstone,” American Craft Magazine, June/July.
James Yood, “A Sequence of Forms,” The New Art Examiner.
Elizabeth Broadrup, “Re-envisioning Craft,” Macquette, International Sculpture Center, November.

1992
John Brunetti, “Joan Livingstone,” The New Art Examiner, December.
Alice Thorson, “Modern concerns inspire dramatic modern sculpture,” The Kansas City Star Sunday Art Section, February 9.
Margo (Shermeta) Mensing, International Contemporary Fiber Art: Now, exhibition catalog, Sonje Museum of Contemporary Art, South Korea.
W. Logan Fry, “Multiple Directions: Contemporary Works in Felt,” Fiberarts Magazine, March/April.

1991
Kathryn Hixson, “Chicago in Review: Joan Livingstone,” Arts Magazine, February.
Margo Shermeta, “Contemporary Sculpture: A Question of Elegance,” Fiberarts Magazine, Vol 18, No 1.
Carol Dickinson, “Crossovers: Exploiting the Possibilities,” Fiberarts Magazine, Summer.
Pamela Scheinman, “New Ends: The Medium as Message,” Fiberarts Magazine.

1990
Buzz Spector, “Chicago: Joan Livingstone,” Art Issues, #15.

1989
Devin Golden, “Armor,” The New Art Examiner, September.

1988
David McCracken, “Gallery Scene: Expression is fiber artists’ common thread,” The Chicago Tribune Friday Section, July 29.
Jeff Abell, “Imagining Form,” The New Art Examiner, Vol l5, No 7, April.

1985
Diane and Elmer Taylor, “Twelfth International Biennial of Tapestry,” Fiberarts Magazine, Nov/Dec.

1981
Jack Larsen and Mildred Constantine, editors. The Art Fabric: Mainstream, New York: Van Nostrand Reinhold.

1980
Winifred Lutz, “Felting,” American Craft Magazine, Aug/Sept, cover, pp 2-9.
Patricia Malarcher, “Joan Livingstone,” Fiberarts Magazine, July/Aug. March.
Beverly Gordon, Feltmaking, New York: Watson-Guptill Publications.
Victoria Kirsch Melcher, “Kansas City: Sunspots and Night Ladders,” Art News, Nov.
Donald Hoffman, “Symbolic Emblems Luminous,” The Kansas City Star, Feb. 17.

PROFESSIONAL MEMBERSHIP
American Craft Council
College Art Association

RELATED PROFESSIONAL ACTIVITIES

2015
Visiting Artist, Lecturer, Rhodes College, Memphis, TN
Panelist, Toward Textile, the John Michael Kohler Art Center, Sheboygan, WI
Presenter, Interdisciplinarity, MFAEN Symposium, hosted by the Fiber and Material Studies Department at the School of the Art Institute of Chicago, IL
threewalls Community Cabinet, Chicago, IL, 2013-2015
2013
threewalls Board of Directors, Chicago, IL, 2011-2013

2007
Visiting Artist, Lecturer, Northern Illinois University, DeKalb, IL

2006
Visiting Artist, Lecturer, Alfred University, Alfred, NY
Visiting Artist, Lecturer, Bowling Green State University, OH

2004
Visiting Artist, Lecturer, Tokyo Gei Dai (Tokyo National University of Fine Arts and Music.), Japan
Visiting Artist, Lecturer, Art Department, University of Calgary, Canada
Lecturer, Museum of Contemporary Art, Chicago, IL

2003
Lecturer, Textile Arts Club of New York, New York, NY.

2002
Visiting Artist, Lecturer, Art Department, University of Wisconsin, Milwaukee, WI
Lecturer, Art Department, University of Illinois, Chicago
Lecturer, “Metro Series,” Art Institute of Chicago, IL
Panelist, “In the Material World,” Evanston Art Center, IL.

2001
Co-Chair (with Janis Jefferies), and Presenter, “SWEATED LABOR: Material, Work, Body, Identity,” Contemporary Issues/Studio Art Session, College Art Association 89th Annual Conf., Chicago, IL
Visiting Artist and Lecturer, Portland State University Graduate Program, Portland, OR
Visiting Artist and Lecturer, Maine College of Art Graduate Program, Portland, ME
Visiting Artist and Lecturer, Michigan State University, Kalamazoo, MI
Radio Interview, KBOO, public radio, interviewed by Julie Roberts, Portland, Oregon

2000
Visiting Artist, Cranbrook Academy of Art, Bloomfield Hills, MI
Visiting Artist, Center for Creative Studies, Detroit, MI

1999
Juror, Interdisciplinary Panel, 1999 Pew Fellowships in the Arts, Philadelphia, PA
Visiting Artist, “International Creators Series,” Harbourfront Centre for the Arts, Toronto, Canada
Visiting Artist and Lecturer, Cleveland Institute of Art, OH

1998
Juror, “Juried Student Exhibit”, Rockford College Art Gallery, IL
Gallery Lecture, Workshop, Dennos Museum Center, Traverse City, MI
Lecture, Woman’s Caucus for Art, National Arts Education Association Conference, Chicago, IL
Juror, “NIU Graduate Exhibition,” NIU Gallery, Chicago, IL

1997
Visiting Artist, Northern Illinois University, DeKalb, IL
Visiting Artist, Rockford College, IL
Visiting Artist, Lecture, Workshop, Southwest Texas State University, San Marcos, TX
Assessor, Crafts Department, Center for Creative Studies, Detroit, MI
Visiting Artist, Oxbow, Saugatuck, WI
Visiting Artist, Center For Creative Studies, Detroit, MI
Visiting Artist, Cranbrook Academy of Art, Bloomfield Hills, MI

1996
Lecture on Pre-Columbian Textiles, Chicago Archaeological Society, IL
Lecture on studio work, Art Institute of Chicago, IL
Panelist, “APPLIANCE: Functionality in Chicago Contemporary Art” organized by The New Art Examiner
and The Chicago Artists’ Coalition, SOFA, Navy Pier, Chicago, IL
Juror, “Chautauqua International for Fiber Art,” Chautauqua, NY (catalog, juror’s statement)
Lecture, Visiting Artist, The University of the Arts, Philadelphia, PA
Lecture: Contemporary Discourse: Fiber and Sculpture, SAIC Textile Art History, Chicago, IL
Instructor, Haystack Mountain School of Crafts, Deer Isle, ME

1995
Lecture: Garment as Metaphor, SAIC Winter Interim New York Intensive and SAIC History of Costume, Chicago, IL
Lecture: Images of Power: Textiles of Pre-Columbian Peru, SAIC Textile Art History, Chicago, IL

1994
Visiting Artist, Cranbrook Academy of Art, Bloomfield Hills, MI
Lecture, “Studio Series,” Cranbrook Academy of Art Museum, Bloomfield Hills, MI
Lecture, Oregon School of Arts and Crafts, Portland, OR
Organizer, National Graduate Student Symposium, with Cranbrook Academy of Art, on contemporary issues in fiber for graduate students, Bloomfield Hills, MI

1993
Panelist, Discussant, “Transitions + Traditions,” a national symposium sponsored by the Textile Arts Center,Chicago, IL
Lecture, Images of Power: Textiles of Pre-Columbian Peru, SAIC Textile Art History, Chicago, IL
Lecture: Garment as Metaphor, Suburban Art Center, Winnetka, IL

1992
Lecture, Chicago Voices, Gallery 400, UIC School of Art and Design, Chicago, IL
Lecture, Visiting Artist, The Kansas City Art Institute, Kansas City, MO
Visiting Artist, Cranbrook Academy of Art, Bloomfield Hills, MI
Lecture, Sybaris Gallery, Royal Oak, MI
Lecture, Visiting Artist, Center for Creative Studies, Detroit, MI
Participant, Cranbrook Academy of Art Fiber Symposium, Bloomfield Hills, MI
Lecture, Visiting Artist, Concordia University, Montreal, Quebec, Canada
Lecture, Workshop, International Sculpture Symposium, Montreal, Quebec, Canada
Moderator, Materiality and Content: Issues in Contemporary Art in Fiber, WCA, College Art Association Conference, Chicago, IL

1991
Lecture, Visiting Artist, Kent State University, OH

1990
Lecture: Images of Power: Textiles of Pre-Columbian Peru, SAIC Textile Art History. Chicago, IL
Member, Grant Committee, Artemisia Gallery, Chicago, IL

1989
Lecture, Visiting Artist, Cranbrook Academy of Art, Bloomfield Hills, MI
Lecture, Visiting Artist, Center for Creative Studies, Detroit, MI
Member, Grant Committee, Artemisia Gallery, Chicago, IL

1988
Juror, Individual Artists Fellowships, Rhode Island Arts Board (statement).
Panelist, ”Imagining Form: Six Sculptors,” State of Illinois Auditorium, Chicago, IL
Seminar, Felt, Shamanism and Nomadic Traditions, Convergence ‘88, Handweavers Guild of America,
Chicago, IL
Lecture, Visiting Artist, Program for Artisanry, New Bedford, MA
Instructor, Textile Arts Center, Chicago, IL
Member, Grant Committee, Artemisia Gallery, Chicago, IL

1987
Visiting Artist, Winter Session, Banff Center for the Arts, Alberta, Canada
Panelist, “The Crafts: New Questions and Issues for the Post-Modern Era,” College Art Association, Boston, MA
Moderator, “Art and Ritual,” NAME Gallery, Chicago, IL
Panelist, “Her Infinite Variety,” Artemisia Gallery, Chicago, IL
Lecture, Visiting Artist, California College of Arts and Crafts, Oakland, CA
Keynote Address, “Issues in Contemporary Fiber, Paper/Fiber X,” University of Iowa, Iowa City, IA
Member, Grant Committee, Artemisia Gallery, Chicago, IL

1986
Panelist, “Art in Fiber–Contemporary Issues,” New Art Forms Exposition, Navy Pier, Chicago, IL
Lecture, Images of Power: Textiles of Pre-Columbian Peru, Primitive Arts Society, Field Museum, Chicago, IL
Lecture, Visiting Artist, Center for Creative Studies, Detroit, MI
Lecture, Visiting Artist, Cranbrook Academy of Art, Bloomfield Hills, MI
Instructor, Nova Scotia College of Art and Design, Halifax, N.S., Canada

1985
Juror, Arts Fellowships, Wisconsin Arts Board, Madison, WI
Panelist, “Crossovers–Sculptural Fiber,” 49th Annual Mid-America College Art Association, Indianapolis, IN
Instructor, “Craft Colloquium for the Future,” Haystack Mountain School of Crafts, Deer Isle, ME
Panelist, “Vivid Form: New Inventions Symposium,” Kansas City Art Institute, Kansas City, MO
Lecture, Workshop, Cleveland Art Museum, OH
Lecture, Visiting Artist, Cleveland Art Institute, OH

1984
Instructor, Nova Scotia College of Art and Design, Halifax, N.S., Canada
Participant, Chinese Textile Delegation, study trip to China
Lecture, “Views from The Lake,” Chicago Cultural Center, IL
Lecture, Northshore Handweavers Guild, Wilmette, IL
Lecture, Weaving Workshop, Chicago, IL
Lecture, Panel, Pasadena Art Museum, Pasadena, CA
Workshop, Fiberworks, Berkeley, CA

1983
Lecture, Visiting Artist, Philadelphia College of Art, Philadelphia, PA
Workshop, “Art and Ritual,” Sheridan College, Toronto, Ontario, Canada
Lecture, Harbourfront Centre, Toronto, Ontario, Canada
Lecture, Visiting Artist, Tyler School of Art, Elkins Park, PA
Lecture, Workshop, State University of New York, Buffalo, NY

1982
Artist-in-Residence, Spirit Square Arts Center, Charlotte, NC
Instructor, Parsons School of Design at Lake Placid, NY
Instructor, The School of the Art Institute of Chicago, IL
Instructor, Banff Center for the Arts, Alberta, Canada
Lecture, New York State Council on the Arts, New York, NY
Lecture, Visiting Artist, University of Indiana, Bloomington, IN
Board of Directors, Detroit Focus Gallery, MI

1981
Lecture, Oregon School of Arts and Crafts, Portland, OR
Lecture, Wayne State University, Detroit, MI
Lecture, The School of the Art Institute of Chicago, IL
Lecture, Michigan Handweavers Guild, Detroit, MI
Lecture, Parsons School of Design, New York, NY
Lecture, Workshop, Philadelphia Handweavers Guild, Philadelphia, PA
Board of Directors, Detroit Focus Gallery, MI
Lecture, Contemporary Fiber Art, Texas Designer Craftsman Conference, Austin, TX

1980
Lecture, Workshop, Cooper-Hewitt Museum, New York, NY
Lecture, Workshop, Penland School of Arts and Crafts, Penland, NC
Art History Colloquium, University of Iowa, Iowa City, IA
Instructor, Multi-Media Art Forum, Kansas City Art Institute, Kansas City, MO

1979
Lecture, Kansas City Artists Coalition, Kansas City, MO
Lecture, Workshop, Virginia Commonwealth University, Richmond, VA
Lecture, Oregon School of Arts and Crafts, Portland, OR
Lecture, Workshop, Syracuse University, Syracuse, NY
Instructor, Multi-Media Art Forum, Kansas City Art Institute, Kansas City, MO
Visiting Professor, University of Iowa, Iowa City, IA
Instructor, Foundations Workshop, Kansas City Art Institute, Kansas City, MO

1978
Instructor, Arrowmont School of Art, Gatlinburg, TN
Lecture, Workshop, Cranbrook Academy of Art, Bloomfield Hills, MI
Lecture, Workshop, Cleveland Art Institute, Cleveland, OH

1976
Visiting Artist, Points of View: Fiber, University of Oregon, Eugene, OR
Lecture, Central Michigan State University, Mt. Pleasant, MI

1975
Visiting Artist, Kansas City Art Institute, Kansas City, MO
Lecture, Workshop, The School of the Art Institute of Chicago, IL
Lecture, Avila College, Kansas City, MO
Lecture, Workshop, University of Southern Illinois at Edwardsville, IL
Lecture, Workshop, Kansas City Handweavers Guild, Kansas City, MO
Visiting Artist, Interactions, Oregon School of Arts and Crafts, Portland, OR
Artist-in-Residence, Hunterdon Central High School, Flemington, NJ
Instructor, Oregon School of Arts and Crafts, Portland, OR

BIBLIOGRAPHY


Abell, Jeff. “Imagining Form,” (review) The New Art Examiner, Vol l5, No 7, April, 1988.

Adrian, Dennis. “Joan Livingstone,” (feature) American Craft Magazine, June/July, 1993.

Artner, Alan. “The Chicago Show,” (review) The Chicago Tribune Sunday Art Section, 1990.

Artner, Alan. “Art,” (review) The Chicago Tribune, June 30, 1989.

“Biennale Internationale de la Tapisserie,” (review) Journal d’Yverdon, Yverdon, Switzerland, June 21, 1985.

Bonesteel, Michael. “Art acts naturally,” (review) Pioneer Press, Evanston, IL September 24, 1993.

Broadrup, Elizabeth. “Re-envisioning Craft,” (feature) Macquette, International Sculpture Center, November, 1993.

Brunetti, John. “Joan Livingstone,” (review) The New Art Examiner, December, 1992.

Cassidy, Victor. “Focus: Joan Livingstone,” (essay) Sculpture Magazine, April, 2003.

Cassidy, Victor M. “Behind the Studio Door: Joan Livingstone’s Dance,” (feature) Chicago Artists’ News, December, 1996.

Cicotello, Louis. “Joan Livingstone,” (review) The Forum, Kansas City Artists Coalition, March, 1980.

Coburn, Marcia Froelke. “Arts: Women’s works; sculpture exhibit’s strong forms shatter false images,” (review) The Chicago Tribune Sunday Arts Section, December 2, 1986.

Cohen, Keri Guten. “Assemblage,” (review) Detroit Free Press, May 31, 1998.

Cohen, Keri Guten. “Fiber sculptures link bodies, machines,” (review) Detroit Free Press, Nov. 2, 1997.

Colby, Joy Hakanson. “Assemblage,” (review) The Detroit News, June 2, 1998.

Colby, Joy Hakanson. “Review,” (review) Detroit Art Review, November, 1997.

Colby, Joy Hakanson. “Exhibits,” (review) The Detroit News, December 23, 1994.

Corwin, Nancy. “Vivid Form: New Inventions,” (review) American Craft Magazine, June/July, 1985.

Craig, Gerry, James Elkins, and James Yood. “Portfolio Collection Vol 10: Joan Livingstone.” (monograph) Winchester, England: Telos Art Publishing, 2002.

Craig, Gerry. “Reviews: Joan Livingstone,” (review) Sculpture, Vol. 17, No. 7, September, 1998.

Craig, Gerry. “Imagination and Sensation,” (review) Fiberarts Magazine, Vol. 22, No. 3, Nov/Dec 1995.

Craig, Gerry. “Reviews: resistSTANCEs,” (review) Fiberarts Magazine, Vol. 25, No. 1, Summer, 1998.

Crawford, Lynn. “Sculpture With Guts,” (review) Detroit Metro Times, Nov. 11, 1997.

Dickinson, Carol. “Crossovers: Exploiting the Possibilities,” (review) Fiberarts Magazine, Summer, 1991.

Donahue, Victoria. “Art,” (review) Philadelphia Inquirer, January 31, 1986.

Elkins, James. “Pictures of the Body: Pain and Metamorphosis.” CA: Stanford University Press, 1999, pp. 148-149.

Fernandes, Joyce. “Joan Livingstone,” (exhibition catalog) DeKalb, IL: Northern Illinois University Art Museum, 1997.

Fry, W. Logan. “Multiple Directions: Contemporary Works in Felt,” (review) Fiberarts Magazine, March/April, 1993.

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